Punk Rock ABJ

Rob I. Miller – Companion Piece (Vacant Stare Records):
Very cool lo-fi, downer power-pop in the vein of Big Star and Teenage Fanclub from the Bay Area. On Companion Piece, which appears to be heavily influenced by a breakup, Rob plays most instruments while friends lend a hand, creating a comforting, warm tapestry. I thought I didn’t know Rob from Adam, but he is one-half of Flex TMG who put out an awesome disco single last year that I love. He appears to have numerous other projects, notably Blues Lawyer, so I’ll have to catch up on it and anything else his Vacant Stare label has released. Glad I took a chance on this; I bought the tape but maybe you can kick him a few bucks and cheer him up.

Sweeping Promises – Good Living Is Coming For You (Feel It Records / Sub Pop):
I pre-ordered this on vinyl and didn’t expect to receive it so soon. Sophomore album by my most listened to band/album during the pandemic. More of the same stylistically, a propulsive minimal synth-punk with soaring, anthemic vocals. Sadly this 10-track collection is not as immediately catchy or cohesive, but I look forward to seeing the new (and old!) songs live in August. On the first few listens, the B-side has more quality, with standout tracks including “Petit Four,” “Can’t Hide It,” and “Throw of the Dice” (and the title track and “Connoisseur of Salt” in the front half), but once this is available digitally I want to let it steep in the hot steam of summer. I might sound negative about this album, but you should really give this band your time.

Speaking of negative, I wrote that the currently airing season of The Other Two isn’t as good as the previous ones, but it is getting better as the season goes on. Each episode is high-concept comedy that would be considered dramatic if not for the absurd payoffs, a la Curb Your Enthusiasm. Find that show on some bullshit called Max.

The Driving Crooner

Rancid – Tomorrow Never Comes (Hellcat Records): Hard to believe this is the first full-length by the West Coast punk legends in six years, but maybe even harder to believe it’s their fifth in the 21st century, given how linked with the ’90s they are. Like most of their post-2000 output, you have a sharp collection of tuneful three-chord punk driven by the two punk lifers in Tim and Lars on guitars, infused with bass acrobatics from the underappreciated Matt Freeman. The album lacks the cohesiveness of those ’90s landmark albums but is enjoyable and tight. There are melodic guitar riffs and sing-alongs that harken back to …And Out Come the Wolves on some songs and bruising straightforward punk that reminds me of the 2000 s/t on others. Truth be told, they should employ a third party to sequence their albums for a better chance to release a modern banger. Rancid is one of my first favorite bands so I’ll always make time for them; others can’t, but if you’re intrigued by what this pillar of modern punk can still do, give them 29 minutes and possibly more.

Bill Orcutt – Jump On It (Palilalia Records): We have four seasons in Georgia so we have a lot of opportunities to listen to peaceful instrumental music outdoors. I’m likely not qualified to discuss Bill Orcutt’s new full-length, Jump On It, but this feels like evocative, spiriting acoustic guitar playing that would be nice to hear at sunrise over coffee at a lake house. I haven’t heard every album he’s done, and I know they’re not all this pleasant (I think he simultaneously has a new album of computerized women singing counting numbers). However, I respect the grind of an instrumentalist who puts out a DIY record every year and always want to put some shine on that. He’s surely got some new fans because of his recent, deserved appearance on NPR. Good for him. This will likely be a strong repeat listen throughout the year.

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